0023. Slayer – God Hates Us All [2001]


Mmm… By far, my favorite Slayer album.  Disciple is THE track on this album for me.  That song is perfect for when I’m intensely fucking pissed off at someone or something.  Usually it’s someone.  Even though I love that track above all the rest, each track on this album is great, in my opinion.  That being said, Slayer is a bit of an acquired taste.  My dad could never get into Slayer.  He said he couldn’t relate to such anger, which I guess was probably good for him.  He was more into folk, new age, blues, trip-hop, etc.

Anyway, this album came out on Sept. 11th, 2001.  Yup, while the towers were falling down, I was at work at CD World selling this album.  An album called “God Hates Us All,” came out on 9/11, and then Pat Robertson and Jerry Falwell came on TV talking about how 9/11 was brought upon us because of America’s tolerance for those with “alternative” lifestyles and such.  That still tickles me: that Slayer and Jerry Falwell had something in common, albeit briefly.  The whole, “God Hates Us All,” in relation to 9/11 tickles me, too.  I don’t even believe in any sort of God, but if I did, I wouldn’t be surprised if he hated America.  Not because of bullshit like “alternative” lifestyles, but because of the sheer, staggering opulence of the rich & powerful, our tendency to worship celebrities and pop stars, our shameless, imperialistic pursuit of oil and various natural resources, etc.

*sigh* This isn’t a fucking political blog.  Anyway, unless you’re a metal fan who’s been living under a rock for most of your life, I imagine you’ll love the fuck out of this album.  Be sure to click the picture to go to my podcast site where you can hear the full album.

Wikipedia Says:

God Hates Us All is the eighth studio album by American thrash metal band Slayer. Released on September 11, 2001, the album received positive critical reviews and entered the Billboard 200 at number 28. It was recorded in three months at The Warehouse Studioin Canada, and includes the Grammy Award-nominated “Disciple”. The album is the band’s last thus far to feature drummer Paul Bostaph until his return twelve years later. Guitarist Kerry King wrote the majority of the lyrics, taking a different approach from earlier recordings by exploring topics such as religion, murder, revenge and self-control.


Slayer began writing lyrics for a new album prior to their appearance at the 1999 Ozzfest. However, every three to four months the band was distracted by commitments to Ozzfest, and worldwide “Tattoo the Earth” tour with Slipknot.[1] Guitarist Jeff Hanneman later admitted “that was the last break. Then we got our shit together.”[2] The band’s longtime producer, Rick Rubin, was too busy to work with Slayer, and felt “burned out”—unable to create intense music.[1] Araya and King had similar feelings about Rubin, and King remarked he “wanted to work with someone into the heavy-music scene, and Rubin’s not anymore. I wanted somebody who knows what’s hot, knows what’s selling, knows the new techniques, and will keep me on my toes.”[3] Rubin recommended two producers, although the first producer was not going to work out personality-wise according to Hanneman.[1]The band gave second candidate, Matt Hyde, a trial on the song “Bloodline”, which appeared in the movie Dracula 2000. The band was pleased with Hyde’s work on “Bloodline” and hired him to produce the entire album.[2] “Bloodline” was also briefly used in the 2009 film Law Abiding Citizen. The song “Here Comes the Pain” had originally been recorded almost two years prior to the release of God Hates Us All, appearing on the compilation album WCW Mayhem: The Music in 1999, and then used as the opening theme for WCW Thunder from February 16, 2000 to the final episode on March 21, 2001.

God Hates Us All was to be recorded in a Hollywood studio; however, the band relocated to Vancouver, British Columbia due to the availability of cheaper studio time. Hyde recommended a studio to the band—The Warehouse Studio (owned by Bryan Adams) as he had previously worked there.[4] The studio was altered to make it “feel like home” for Slayer; as opposed to the setting for, in King’s words, the “lightweight Canadian pop singer”. This consisted of adding incense burners, candles, dimmed lights and pornography on the walls. Two banner flags of two middle fingers were also hung up. Vocalist Tom Araya says “that was basically the attitude of Slayer in the studio. We had a red devil head on one of the speakers. We had a skull on another. That’s the kind of shit we put up. Spooky stuff that makes you feel at home.”[2]

Hyde used the digital audio workstation Pro Tools during the engineeringproduction, and audio mixing stages of the album. Slayer members wanted to keep the use of computer effects to a minimum, only to include a small amount of delay and distortion.[1] As with previous recordings, the drum tracks were recorded first. Drummer Paul Bostaph follows a simple rule suggested by Rubin when in the studio: “The perfect take is the one that felt like it was going to fall apart but never did.” Seven-string guitars were used on the tracks “Warzone” and “Here Comes the Pain,” the first time Slayer had done so. King was at the B.C. Rich guitar company (manufacturer of his signature model, the KKV) and decided to borrow a seven string guitar. After writing one song, King ordered a seven string as he thought “there’s no point having one tuning for just one song,” so he wrote another, going on to comment “you don’t have to be good to make up a seven-string riff.”[2] So there are two 7-string tunings, 4 songs dropped to B and the rest in C#.[4]

Lyrical themes

God Hates Us All explores such themes as religion, murder, revenge, and self-control. King wrote a majority of the lyrics, which he based on “street” subjects which everyone could relate to, rather than “Satan this,” “Satan that,” and “the usual Dungeons & Dragons shit” from the band’s previous records.[2] King told Guitar World:

I definitely wanted to put more realism in it, more depth. God Hates Us All isn’t an anti-Christian line as much as it’s an idea I think a lot of people can relate to on a daily basis. One day you’re living your life, and then you’re hit by a car or your dog dies, so you feel like, “God really hates me today.”[3]

The song “Threshold” is about reaching one’s limit with a person in a situation where one is about to break—and are about to blow up as they get “under your skin”, while “Cast Down” features a fallen Angel who falls into drugs.[2] “God Send Death” and “Deviance” take up the idea of killing people for pleasure. Both songs were written by Hanneman. Having read several books on serial killers, Hanneman came to the conclusion he could only kill someone if they really “pissed him off”, and decided he was unable to kill someone he did not know just for power. He later admitted he was trying to get into that person’s mind; “why do they get off on it? Without being angry, just killing for the sake of killing and getting off on it. I just wanted to get into that mindset.”[5]

While other members went to local pubs, Araya spent his free hours reading factual books regarding serial killers, including Gordon Burn‘s Happy Like Murderers: The Story of Fred and Rosemary West. Araya was seeking inspiration, and aimed to sound convincing while singing the lyrics, avoiding himself to sound like a gimmick.[2] Araya sang the lyrics more “over-the-top” than done on previous albums, as King’s writing style is more “aggro.”[3] This resulted in Kerrang! reviewer Jason Arnopp describing the album’s lyrics as “so packed with foul and abusive language that it sounds as if D-12 and the Sopranos family were going head-to-head in a celebrity swearathon.”[6]

Cover art and album title

God Hates Us All was originally intended to be named Soundtrack to the Apocalypse. However, Araya suggested that the title would be better used for a box set, which the band released in 2003.[7] The phrase God Hates Us All originates from the song “Disciple”, during which the line is repeated over the chorus. The lyrics are in reference to God’s allowance of acts such as suicide and terrorism, while seemingly doing nothing to prevent them[1][4] (see problem of evil). A member of the heavy metal band Pantera suggested using “God Hates Us All” for a shirt design after King played the song to the band. King agreed, although he thought the phrase would have more impact as the album title.[8]

The song on the “God Hates Us All” album after which the title was derived.

Problems playing this file? See media help.

The original album cover depicts a Bible spiked with nails placed in a pentagram star shape, covered in blood with the word “Slayer” burnt across it. The liner notes intersperse the lyrics between passages from the biblical book of Job, partly crossed out with a black marker. The idea was suggested by the band’s record company, although King wanted more time to develop a better cover. King’s concept for the cover was to show nails in the shape of a pentagram, and have them miss keywords in Bible verses so it appeared as if it had been created by a sociopath who knew where every word appears. He later complained that the outcome was typical of “a record company with absolutely no idea what the fuck they were going to do”, and said that the cover “looked like a seventh grader defaced the Bible.”A slip insert was placed in front of the covers in major retail outlets.[9]


Professional ratings
Aggregate scores
Source Rating
Metacritic (80/100)[10]
Review scores
Source Rating
AllMusic 3.5/5 stars[11]
CMJ favorable[12]
Entertainment Weekly B+[13]
Los Angeles Times favorable[14]
Music Week favorable[15]
PopMatters 7/10 stars[10][16]
Robert Christgau (dud)[17]
Rolling Stone 3.5/5 stars[18]
Spin 8/10[19]
Yahoo! Music UK 8/10 stars[20]
Rock Hard (8/10)[21]

God Hates Us All was set for release on July 10; however, concerns regarding audio mixing, the album cover, and the band’s label—American Recordings—changing distributor, caused the release date to be delayed until September 11, 2001.[22] The release drew a connection to the September 11 attacks, which was the second time Slayer caused controversy towards one of their releases—the video for “Seasons in the Abyss” was filmed in Egypt and released prior to the Gulf War.[4] In its week of release, God Hates Us Alldebuted at number 28 on the Billboard 200,[23] and sold 51,000 copies.[24] It entered the Canadian Albums Chart at number 9, and debuted at number 18 on the top Internet album chart.[25] As of August 16, 2006 the album has sold 304,000 copies in the United States.[24]

God Hates us All received generally positive reviews from music critics. On Metacritic, the album has a score of 80 out of 100 based on 12 reviews.[10] Kerrang! ’​s Jason Arnopp described the album as “easily Slayer’s most convincing collection since Seasons in the Abyss,” awarding the album five out of five.[6] Rolling Stone ’​s Rob Kemp wrote the record was “Slayer’s most brutal record since 1986’s immortal (or undead) Reign in Blood,” describing the music as “galloping double-bass-drum salvos” which “switch on a dime to furious double-time pummeling, as ominous power chords and jagged shred solos slice and dice with Formula One precision.” Kemp awarded the album three and a half out of five.[18]AllMusic reviewer Jason Birchmeier commented that “nearly 20 years into their evolution, Slayer have abandoned the extravagancies and accessibility of their late-’80s/early-’90s work and returned to perfect the raw approach of their early years. A near flawless album,” and that Araya’s performance possibly makes “the most exhausting Slayer album yet.”[11]

Not all critics were impressed with the album. Blabbermouth.net reviewer Borivoj Krgin dismissively labeled the album as “another failure on the band’s part to take the initiative and reinvent themselves.” Krgin described King as “the weaker and less inventive of the two main songwriters” (King and Hanneman), feeling the album followed “a familiar direction that almost always sounds tired and forced” as a result of King being the album’s main songwriter. Krgin also singled out Araya for criticism, and called the vocalist a “hollow shell of his former self, boasting a singing style that is monotonous, devoid of creativity and at times virtually unlistenable.” Krgin awarded the record 6 out of 10, and ended the review by observing that “Slayer’s rapidly diminishing record sales (Diabolus In Musica has shifted less than 300,000 copies in the US compared to 600–700,000+) as a sign that the band is in dire need of a new lease on life.”[26] The Washington Post gave it a mixed review, stating, “Of course, what Slayer says isn’t supposed to be nearly as important as how it says it: The riffs are all overdriven and suffocating, and that’s a conscious decision. In its simplest form, a song like “Exile” could pass for Motorhead pushed through the blades of a lawn mower, but that’s selling Slayer short; guitarist Kerry King actively fights the groove that naturally comes from playing heavy rock-and-roll.”[27]

The song “Disciple” received a Grammy Award nomination for “Best Metal Performance” at the 44th Grammy Awards, the band’s first nomination. The members cared neither about the nomination nor the award ceremony, and although they did not expect to win, thought it was “cool” to be nominated.[28] The ceremony took place on February 27, 2002, with Tool winning the award for their song “Schism“.[29]

Bostaph’s departure

Prior to Christmas 2001, Bostaph sustained a chronic elbow injury which hindered his ability to drum, resulting in his decision to leave the band.[30] His third-to-last performance with Slayer was recorded on War at the Warfield. To date, Bostaph has not viewed the footage; he has likened the experience to “breaking up with a girlfriend,” and wants to move on with his life.[31] Bostaph does not regret his time spent with the band, and describes the period as a high point in his career.[32] Without a drummer the band were unable to finish their God Hates Us All tour. King contacted original drummer Dave Lombardo almost ten years after his departure, and asked him if he would be willing to play for the remainder of the tour.[33] Lombardo accepted the offer, and played for the remaining 21 shows; however, he did not take on a permanent position with the band.[32]

Following the tour, the band continued their search for a permanent drummer, and sought solicitation via demo tape and snail mail. Interested fans sent video recordings of renditions of the songs “Disciple,” “God Send Death,” “Stain of Mind,” “Angel of Death“, “Postmortem/Raining Blood,” “South of Heaven,” “War Ensemble,” and “Seasons in the Abyss”; complete with résumés.[34] The band listened to hundreds of demo tapes, and created a “good pile” and “ungood pile,” though the “ungood” was much larger. Those whose performances the band were pleased with were offered an audition in Dallas, San Francisco or Peoria, Illinois; many applicants, however, were unable to attend due to flight costs. The band auditioned roughly two to three drummers a day, and their top choice was one of Lombardo’s recommendations.[28] However, the band ultimately returned to Lombardo after deciding that they could not find a drummer who suited the job; Lombardo re-joined Slayer and attended music festivals worldwide to promote God Hates Us All and record drums on the 2006 album Christ Illusion.[33]

Track listing

No. Title Lyrics Music Length
1. “Darkness of Christ” Kerry King Jeff Hanneman 1:30
2. “Disciple” King Hanneman 3:35
3. “God Send Death” Tom Araya, Hanneman Hanneman 3:45
4. “New Faith” King King 3:05
5. “Cast Down” King King 3:26
6. “Threshold” King Hanneman 2:29
7. “Exile” King King 3:55
8. “Seven Faces” King King 3:41
9. “Bloodline” Araya, Hanneman Hanneman, King 3:36
10. “Deviance” Araya, Hanneman Hanneman 3:08
11. “War Zone” King King 2:45
12. “Here Comes the Pain” King King 4:32
13. “Payback” King King 3:03

Limited edition

  • The European LP, does not contain track 12
No. Title Lyrics Music Length
1. “Darkness of Christ” Kerry King Jeff Hanneman 1:30
2. “Disciple” King Hanneman 3:35
3. “God Send Death” Tom Araya, Hanneman Hanneman 3:45
4. “New Faith” King King 3:05
5. “Cast Down” King King 3:26
6. “Threshold” King Hanneman 2:29
7. “Exile” King King 3:55
8. “Seven Faces” King King 3:41
9. “Bloodline” Araya, Hanneman Hanneman, King 3:36
10. “Deviance” Araya, Hanneman Hanneman 3:08
11. “War Zone” King King 2:45
12. “Scarstruck” King King 3:29
13. “Here Comes the Pain” King King 4:32
14. “Payback” King King 3:03
15. “Addict” King Hanneman 3:43

Bonus DVD materials

  • “Darkness of Christ” (DVD Intro video)
  • “Bloodline” (Video)
  • Raining Blood” (Live Video) (2001-12-07 San Francisco, CA)
  • “Interview/B-Roll Footage



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